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Produced for the National Federation of Building Workers Ciné-Liberté, a Popular Front organization intended to counteract capitalist interests in the film industry, Epstein’s union documentary examines building policy from the perspective of ordinary workers and notable architects. In addition to touring the Cathedral of Chartres and the Paris Exposition of 1937, the film features rare interviews with Le Corbusier (at his drawing board, no less) and Auguste Perret.
Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.
Balkrishna Doshi (1927-2023) is one of India's most influential 20th century architects and recipient of the Pritzker Architecture Prize. Doshi and his practice Vastu-Shilpa has a portfolio spanning over 70 years, including collaborations with both Le Corbusier and Louis Kahn. The film introduces viewers to his famous buildings and offers an exclusive look into his work process. Doshi shares his sources of inspiration and motivation and is also a brilliant storyteller. His presence of mind, his humor and his wisdom create the image of a man from whom we can not only learn to build humanly, but from whom we can learn – to be human.
A biography documentary of the Argentine modernist architect Amancio Williams.
Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.