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A documentary about Andrei Voznesensky, in which the poet, who has already lost his voice from illness, whispers his last poems, talks about himself, about the past and future of Russia.
The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.
Oleg Menshikov is one of the most unsolved actors in both cinema and theater. A trail of rumors and opinions accompanies each of his new work. There are many more people who have heard about his theatrical works than those who were lucky enough to see them. Some people adore him and others do not forgive the slightest mistakes. Pyotr Shepotinnik was lucky enough to be admitted to the creative laboratory of actor and director Menshikov and freely observe how film roles and stage productions are created — the performances of Griboyedov's "Woe from Wit" and Gogol's "Players", which had a noisy fame.
After the release of "Nostalgia", Andrei Tarkovsky runs out his Soviet authorities permission to work abroad: he has to go back home. But he understands from the messages of some friends and colleagues that his life in Russia would be even tougher than before. So he then decides to break with Soviet authorities and, a year before the Milan Conference of 1984 during which he will announce publicly his decision, he leaves his friends that are hosting him in Rome and takes refuge in a secret location.
The movie is set during the last days of a foreign intervention against Soviet Russia. Police are searching everywhere for a Bolshevik named Brodsky but cannot find him. Meanwhile, a man named Michel Voronov serves as a teacher to a rich woman's son, Zhen'ka.
To be somewhere precise yet stand nowhere at all, to embody one’s convictions, yet never miss the essential, to rise up and be present at the critical moment, to bear witness to a world waiting to tell itself and be retold, to come and go, both at once, abandoning reckless speed, but rather gently touching the human soul with images, with whispered words, the cracks in the wall of life: this is the choreography masterfully created in the film Beyond Territories, Valerie Osouf’s portrait of the world acclaimed filmmaker Abderrahmane Sissako.
The second World War echoes throughout the whole Khutsiyev's oeuvre. The director himself did not participate in the war: "The thing is, I didn't fight. I had been a sickly boy, so I was turned down because I still looked like a child. This is sort of like a debt I've been repaying ever since". In "People of 1941", Khutsiyev recites his favourite pieces by war poets and invokes documentary footage.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.