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João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
In this short film, screened and commissioned by the Centre Pompidou in Paris, Gianikian and Ricci Lucchi revisit regions at war or in crisis through archive images of the 20th century.
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
In the form of a fiction, Naomi Kawase delivers a self-portrait which is also a re-crossing of her earlier films. The old city of Nara, the first capital of Japan where Naomi Kawase is from and where she still lives, opens up a reverie where past, present and future meet. In its winding streets mingle the "Haré" of days of celebration and ceremony and the "Ké" of everyday life.
In Rio de Janeiro, people from the Mangueira neighbourhood follow the television broadcast on a big screen as the juries vote on each samba school. In 2019, Mangueira took to the Sambadrome a strong, bold samba of resistance to what’s taking place in Brazil right now. The film witnesses the tension while waiting for the final score, and the great joy of people from every generation when Mangueira wins and becomes champion of the 2019 Carnival.
"Où en êtes-vous ?" (Where do you stand today?) is a project initiated by the Centre Pompidou, which commissions its guest filmmakers to make a free-form film in response to a question simultaneously retrospective, introspective and focused on their future ideas and projects. Here Christian Petzold is joined by Christoph Hochhäusler as they analyze a sequence from Hitchcock's The Wrong Man (1956) through a series of photograms. With this tribute to Harun Farocki, who died in 2014, Christian Petzold endeavors to revive and perpetuate the spirit, taste and methods of his former teacher and friend.
Jafar Panahi and fellow Iranian director Majid Barzegar take a 20-minute drive to Kiarostami’s grave, during which time “the two friends speak appropriately of cinema, but also censorship and festivals, police power and ideology.”
An initiative from Pompidou Center, filmed by Jean Marie Straub.
"For reasons of health, Lee Kang-sheng and I moved to the mountains. We don't have any neighbors. Our house is part of a row of dilapidated houses. I love these abandoned houses. I often walk around in them casually. I think they are beautiful. I said to Lee Kang-sheng: we don't have to go elsewhere to make films anymore. I'll make all my remaining films right here. I got some old chairs and some of my paintings and arranged them in these abandoned houses. And thus, this film was made." Tsai Ming-liang
A day in the life of Rick Linklater, taking in a conference call with some young studio executives and a session with a psychologist.