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Dihya reveals her world, her secrets, her stories. She reigns in this dehumanized world, like a queen, a warrior.
Between parties and dips in the river, Lou abandons herself over the summer, navigating through her reconstituted community.
A woman, a dancer, a creature, dances, free. She laughs at the violence, the insults, the looks that reign around her.
It's the story of a woman with a broken heart. It's the story of a woman who is leaving. It's the story of a woman who wants to flee the world, misfortunes, suffering, tears, and cries.
From a mirador, Lucas is observing, touching upon a world growing around himself.
In the intimacy of their rooms, Claude-Emmanuelle, Régina, and Nicole apply makeup in front of mirrors. Their precise, repetitive gestures become rituals of transformation and self-affirmation. Fragments of past, secret thoughts, and desires emerge through their voices. Interwoven with images of the city, the film links private experiences to the universal, exploring destinies that brush against each other without ever crossing paths.
A permission, an eternal return, it is in this suspended context, out of space and time, that the gathering of three young men happens, under the bright and suffocating lights of the bank district and the luxury boutiques of the city of Geneva, a symbol of a cold and radical social cleavage. Between masculinity, violence and ethic, everything seems to be made in order for the friends to deconstruct the universe, alone, at the top of the world.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
A documentary about the life and films of director John Ford.