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An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.
An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.
The Goodyear Television Playhouse is an American anthology series that was telecast live on NBC from 1951 to 1957 during the "Golden Age of Television". Sponsored by Goodyear, Goodyear alternated sponsorship with Philco, and the Philco Television Playhouse was seen on alternate weeks. In 1955, the title was shortened to The Goodyear Playhouse and it aired on alternate weeks with The Alcoa Hour. The three series were essentially the same, with the only real difference being the name of the sponsor. Producer Fred Coe nurtured and encouraged a group of young, mostly unknown writers that included Robert Alan Aurthur, George Baxt, Paddy Chayefsky, Horton Foote, Howard Richardson, Tad Mosel and Gore Vidal. Notable productions included Chayefsky's Marty starring Rod Steiger, Chayefsky's The Bachelor Party, Vidal's Visit to a Small Planet, Richardson's Ark of Safety and Foote's The Trip to Bountiful. From 1957 to 1960, it became a taped, half-hour series titled Goodyear Theater, seen on Mondays at 9:30pm.
DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.
Maureen Trant and her younger sibling Dani share a strong connection, but local boy Court Foster threatens to throw their bond off balance. Dani and Court meet first and have a flirtatious rapport -- but when he meets Maureen, he falls hard and they begin a passionate affair. The new couple try to keep their love hidden from Dani, but she soon learns the truth, disavowing her sister. But a heartbreaking accident later reunites the girls.
Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.
Over the summer of 1942 on Nantucket Island, three friends -- Hermie, Oscy and Benjie -- are more concerned with getting laid than anything else. Hermie falls in love with the married Dorothy, whose husband is an army pilot recently sent to the battlefront of World War II.
A man and woman meet by chance at a romantic inn over dinner and, although both are happily married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year—in the same hotel room—and the years pass each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
A girl on the road to stardom fights the dehumanizing effects of Hollywood life.