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Midi Z visits his oncle who works as a jade miner.
Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.
After decades of military rule, Burma has finally held its first presidential election. Many Burmese living abroad believe that peace and prosperity will soon soon follow, including Wang Xing-Hong who is living as an immigrant laborer in Taiwan and saves his money so he can return home. When Xing-hong arrives, he feels like a stranger in a foreign land but is determined to stay and make his life in Burma.
A fascinating documentary, shot in the mountainous north of Burma. No filmmaker is welcome there, because, against the background of a civil war, the jade miners enter the deserted mines illegally. With the aid of filming locals, however, Midi Z was able to compile this portrait. Getting rich quick turns out to be hard and risky work Jade has always been a valuable commodity in Asia. In the mountains in the north of Burma there are valuable deposits of jade. The area forms part of Kachin State, inhabited by many ethnic groups which found themselves embroiled in the Civil War in 2010 with the Burmese government. Jade mining was halted because of the conflict. Thousands of workers, however, went to the war zone in order to dig for illegal jade. It turned the region into a no-go area and the filmmaker Midi Z, who had so far made feature films in Burma, saw no opportunity to go and film there. It was far too dangerous. © iffr.com
On the night of their high school graduation, three delinquents decide to exchange their darkest, most unspeakable secret.
Qiao Yan, born in a border town in southwest China, becomes a star actress after much effort and struggle. But despite her aura of glamour, she always feels hidden pressure. When she receives a threatening anonymous letter, her long-estranged sister suddenly comes to see her.
A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.
Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.
A collaborative project consisting four young generation of Taiwan directors, and four young foreign directors from Chile, France, Iran, and South Korea.Without being acquainted previously before meeting each other in Taipei, the eight of them shared their life experiences, and then co-wrote and co-directed four short films based on impressions and imaginations of a city.
Lianqing and Guo, who hail from Burma, flee their country and seek refuge in Thailand. Gho's feelings for Lianqing may just surpass her feelings for him.