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The Intrepid Heroes take over Madison Square Garden for a night of thrills, chills, and tomfoolery.
VH1's annual Mother's Day celebration salutes moms everywhere. Anthony Anderson and La La Anthony hosted the event, which included performances by Ashanti, Monica, Luke James, H.E.R., Shai and SWV. T.I. paid tribute to the women in his life, including his wife Tameka "Tiny" Harris, and on behalf of the #SeeHer movement, Ciara honored moms who've made strides in advertising and media.
Recorded on 18th January 2003 at Madison Square Garden in New York City, 'Licked: Live in NYC' features The Rolling Stones on the 'Licks Tour' in support of their 40th-anniversary compilation album Forty Licks. The concert was originally broadcast live on the HBO television network and features an appearance by Sheryl Crow on "Honky Tonk Women".
Underwood performs a combination of beloved traditional favorites celebrating the joy and hopefulness of the holiday, as well as new original material from her first ever full-length Christmas album My Gift, which was released fall 2020. She is accompanied by her band, as well as a live orchestra and choir, conducted by Emmy Award-winning musical director Rickey Minor.
After getting her start in coffee shops Joni Mitchell went on to set a new standard, marrying music and lyrics with such songs as “Both Sides, Now.” While her early material is often categorized as “folk,” she became a household name with music that defies categorization.
After Jay Leno's second retirement from the program, Jimmy Fallon stepped in as his permanent replacement. After 42 years in Los Angeles the program was brought back to New York.
The World's Fakest News Team tackle the biggest stories in news, politics and pop culture.
A celebration of the Premier League, the world's greatest sporting telenovela, with Roger Bennett and Michael Davies.
A group of friends head to the land of oaky Chardonnays and big, bold Cabernet Sauvignons for one member of the squad’s 50th birthday party.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.