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Visions and nightmares of a woman who escapes her own shadow.
Four friends live together in an abandoned house, wearied by the tedium of knowing that their lives will be tomorrow the same as today, a year from now the same as tomorrow, a century from now the same as a year from now. Being eternal was their sentence.
More isolated than the sea, always light and powerful: confusion, my sister, the woman with 100 heads. Loosely inspired by the collages and graphic novels of Max Ernst.
A couple of ghosts spend their leisure hours playing in the fields, enjoying nature and the eternal words that Rainer Maria Rilke wrote over a century ago to a young poet. The film was shot with a photo camera.
Collective film made in times of confinement. April 2020. The film gives visual form to inner worlds—what the directors see and how they see it. How they inhabit their spaces, their bodies, their fears and perspectives in isolation, and how they connect with the “outside worlds.”
A man descends down a spiral of memories from an old relationship. Melancholic set back? Or gateway to a new emotional perception?
In a world where technological progress is conceived as an arrow pointing forward, why do some people insist on continuing to work with equipment others refer to as obsolete? Analog Thinking answers that question by documenting the meticulous work of those who choose that path. The screen becomes filled with wonderful objects—optical toys, cameras, projectors, film stock cans, moviolas… And the testimonies from those creators invite us to discover a universe that has a lot to do with both craftsmanship and the collective experience—an instance of thinking with your hands that is only possible with curiosity and patience. And among the words, practices and artifacts, Analog Thinking also saves a place for the images that are born from all of that. And it reminds us that, even in this digital age, they still have a lot to teach us about waiting and making mistakes, surprise and beauty.
On the boardwalk in Havana floats the cloud of uncertainties of an abandoned woman.
A woman, a mountain, a nightmare.