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In the turbulent aftermath of the Tunisian revolution, young Samia flees her homeland. She braves hostile seas in the crossing to France, but once there she finds that her struggles have only just begun. With no friends, no family, and — most crucially — no immigration papers, Samia has to figure out how to make a life and a living in a foreign land. She meets a young man, Imed, and soon finds work in the employ of the elegant Leila. But her presence in Leila's middle-class household triggers a shift in its dynamics, and soon Samia is enmeshed in a web of sexual tension.
In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.
Seekers of Oblivion explores the exciting life and adventures of Isabelle Eberhardt. Born in Geneva, Switzerland in 1877, Isabelle left Europe for North Africa at a young age. While there, she consorted with tramps, prostitutes, soldiers, murderers and thieves, at times masquerading as a man in orde.
Tunis, winter 2010, a few weeks before the fall of Ben Ali. Loyal friends Fathi, Moha, and Walid stick together to try to survive in a society ruled by corruption, fear, and injustice. Moha, the eldest and a talented musician, destroys himself with alcohol out of rage at not being able to make it big, secretly dreaming of a clandestine passage to Lampedusa. Walid, a smooth talker and handsome guy, is skilled at taking advantage of a system that disgusts him. Fathi, the youngest and most idealistic, naively hopes to get a teaching job through competitive examination and has just fallen in love with the pretty Noura, a liberated young woman who flirts with cyber-dissidence. Then, in a deprived provincial town, the suicide by fire of a young vegetable seller sets Tunisia ablaze. Each of them will see their lives turned upside down in the turmoil of this end of an era...
25-year-old Ghofrane dreams of becoming a politician and having an influence on the future of Tunisia. As a young black woman from the working class, it is a dream that requires stamina – and she has plenty of it. Raja Amari’s film follows her up to the election in 2019 when she is on the streets to gather votes and give especially young people renewed faith in democracy in a polarised society plagued by racism and inequality. A smaller film might turn a blind eye on realism in favour of a good story, but here both Ghofrane nor Amari are aware of the exhausting struggles that have to be overcome before she can bring about the change she so fervently longs to see happening. An inspiring film about a true idealist and a rich image of a society full of contrasts.
After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.
The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.
The guest of the day is received on a set, located in an apartment without an audience, and guided simply by the sound of the host's voice.