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Engineer Frank Nor loses his sight in an unfortunate accident. When his superficial fiancée Eliška leaves him, Frank attempts suicide. To prevent him from repeating his attempt, his father hires a young nurse, Milena. The girl takes exemplary care of Frank, literally becoming "the apple of his eye"...
Milada Dvořáková is about to get married to her business partner Dub, a gas station owner. When she catches him hugging his secretary, she breaks up with him. She sets up a rival company, ŽUB (Women at Gas Stations), and employs only single women. Dub also gets into the competitive fight...
Jindřich Tůma, a partner in the gas mask shop "Asana", has a very energetic wife who promotes a vegetarian diet. The real soul of the company is Ing. Ivan Kareš, who also leads civil defense exercises. On the street, during a practice air raid warning, he sternly reprimands a girl who did not go to shelter. It is Věrka, the Tůma's niece, who comes from the countryside to finish her studies in Prague. Věrka enters the seventh grade and soon shares the enthusiasm of her classmates for an unknown composer whose pseudonym is Michal Marhan. Ing. Kareš gives a lecture on civil defense in the seventh grade and so meets Věrka again. Kareš tries to convince the girls of the necessity of more concrete life ideals. At the premiere of Marhan's operetta "Píseň o štěstí" it turns out that Kareš is the composer. The girls give him a standing ovation. Ivan ignores Věrka, with whom he has recently had a falling out. The stubborn girl therefore leaves for home...
At the end of the war, the old train driver Matys saves his beloved locomotive Líza from depth charges. However, the locomotive is damaged and he is injured. At a critical moment, he stands in for his son-in-law, also a train driver, and thus prevents a train accident. Despite this, he is sent into retirement. To show what the "iron old man" can do, he reconstructs Líza with a group of apprentices...
Spejbl craves a film career. He thus posts a newspaper ad, offering himself as an actor. As soon as he receives a response, he sends his son Hurvínek to the agent instead of himself. Hurvínek fears that his father is again looking for a wife. He is not as representative as Spejbl would wish, and he puts the agent off. Spejbl is first angry with his son, but then hears on the radio that the agent in question was an experienced swindler, and is glad that Hurvínek in fact saved him. The Bulletin of the Czech Ministry of Interior lists the film in the section “For adults only. Forbidden for children and adolescents under the age of sixteen (comedies)”.
The richest farmer and at the same time mayor Dubský and first councilman Bušek are constantly competing for supremacy. Their rivalry affects not only the fates of their families, but also the entire village, in which every problem, even the smallest one, everything that the board of directors discusses becomes a battleground for the two rivals. And it is not just about who will be appointed night watchman due to the increasing thefts. It is also about the love of Václav, Dubský's son, and Verunka, the daughter of councilman Bušek.
On the coast of Yugoslavia lives fisherman Ivo Kralj, his wife Marie, son Vuk, and Ivo's mother in one happy home. Marie, who loves her husband and always looks forward to his return from sea, attracts Nikola, with whom Ivo, out of jealousy, has a scuffle at a dance. After the outbreak of World War I Ivo is mobilized. He ends up in a P.O.W. camp where he is subjected to hard labour. His family then receives news of his death. The years pass and the lonely widow Marie is occasionally visited by her friend Nikola. Ivo's mother would like her to remarry. Soon after the wedding Marie becomes pregnant. Ivo, who has been thought dead, succeeds in escaping the P.O.W. camp where he has spent several years. Upon his arrival home he finds his name on a memorial erected to the victims of the war...
We have a liberal, modern Czech flapper bound to a serious and bored husband and don't forget the important fact that the wife has a lover so soon the widening gulf between husband and wife leads to stress and resentment and we get a tormented psychological study of irreconcilable differences that will lead to tragedy.
Janosík, a friar retrained as a bandit, becomes the farmers' symbol of resistance and fight against the feudal conditions.
The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.