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A man from Tarfaya, penetrated by the magnificence of his country, the power of its beauty and the nomadic life of his ancestors goes in search of a great popular poet. He would be able to teach him wisdom, music, and the wonderful art of singing and poetry.
Ahmed Bouanani’s first feature film played a pivotal role in bringing experimentalism to Moroccan cinema. It’s a fable-like story of a poor young farmer who finds treasure in a flour bag. This takes him on a journey where nothing is as it seems. The film’s narrative structure frequently makes reference to mythology and literature, utilizing Morocco’s rich history and oral traditions.
Ahmed Bouanani’s Al-Manabe' al-Arba'a (1974), a very low-budget fantastical adaption of a poetic fable, features his wife Naïma Saoudi, who also worked as an art director and set designer. It is his only film in colour, which convinced him that his vocation was to work in black and white.
Crafted exclusively from film archives, Thakirah Arba’at 'Ashar (1971) was Ahmed Bouanani’s first feature, but the censors forced him to cut it down from 2 hours and 18 minutes to 24 minutes.
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