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A Jewish family grapples with issues of identity as local prejudice turns to violence. Adaptation of Yevgeny Chirikov's 1904 play The Jews.
The film discovered in 1916, is the second part of two circus-themed films released in the same year. Daniel Rok is pulp fiction, one of the many attempts to create an action film, following the footsteps of the Danish, the French, and the Americans. A good quarter of Russian pre-revolutionary film industry consisted of pictures like this. A circus drama was almost a sub-genre of its own. What distinguishes this film is the involvement of actual circus performers, some of the biggest names in the industry, many of them having never made another film. One could only wish that all of them would perform their signature acts, like Sergei Alperov and his son Dmitry Alperov, the legendary acrobats. Instead, Williams Truzzi, arguably the most famous Russian circus jockey of his time, plays the villain, Tamara Gamsakurdia, a horseback dancer, appears as his innocent victim, and Nikolai Nikitin, who would soon become the owner and director of the Moscow circus, becomes the noble hero.
A young man with a bright future suffers a near-fatal accident and recreates his new life with the help of an unlikely animal friend.
The true story of 20-year-old Colleen Stan, a hitchhiking woman abducted by a young couple and held captive for seven years, during which time she's tortured and forced to live as a slave to her captors.
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.