Looking for movies, shows, games, or books similar to A Matter of Baobab? Check out these recommendations on mosaic.
A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
During the trip back to Lithuania, Jonas Mekas made Reminiscences of a Journey to Lithuania, Adolfas Mekas made Going Home, while Pola Chapelle, Adolfas’ wife, made this Journey to Lithuania, which both Jonas and Adolfas said was the best of these three films.
A short experiment in compression on film.
The short film humorously explores the process of drawing a cat. Blending playful visuals with a satirical tone, the film serves as both a parody and homage to artistic instruction, capturing the enigmatic allure of feline subjects.
A short starring Georgecat with music composed and performed by his brother, Mamacat.
Filmmaker Gyula Gazdag's fascinating documentary follows Hungarian poet, playwright and activist István Eörsi on a trip to the streets of New York to visit his friend and contemporary, the iconic beat poet Allen Ginsberg. Shot just two years before Ginsberg's death, the film follows the two friends as they share poetry and laughs, wandering the streets of the Lower East Manhattan, musing about the past and contemplating the future.
Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.
A short portrait of Jonas Mekas on the occasion of his 2002 retrospective in Paris (for his 80th birthday). Through film clips and interviews, Mekas recounts his arrival in America, his early life in New York and his first filmmaking experiences. An introduction to his life and work.
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.