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Iris is an Elvis fan and part of a group of unemployed women who, in the scope of the first West German retraining program for women, are being trained in Essen in the "male professions" of electrical and metal work. Monika Held and Gisela Tuchtenhagen accompany the group for five weeks. The women report sexism, low self-esteem and the multiple burdens they must bear. To make any progress, they need support and one another – the regular weekly meeting where they share their experiences is moved to the pub.
The film focuses on a group of people with various disabilities who are helped by the Hamburg-based association “Insel” to lead largely independent lives. We see them at home, at work, and at the “Insel” premises, where they meet every Thursday afternoon to drink coffee and talk.
How do people look back on a life that was torn from their hands by arbitrariness, secret police, and the justice system? Gisela Tuchtenhagen and Margot Neubert-Maric portray three former prisoners whose experiences in prison in the GDR left lifelong scars. They fell into the clutches of the GDR justice system at a young age.
A cinematic portrait of Maria, a 13-year-old girl who has been living in Hamburg, Germany, with her family from Spain for several years. The filmmaker observes Maria in her everyday life and her relationship with the people around her - her parents, her neighbor (the filmmaker's mother) and Nina, a German girl about the same age.
An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity
A documentary about the life and films of director John Ford.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.