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A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her, but runs afoul of her father when she discovers that her mischief might have found her true love.
Ten strangers are summoned to a remote island and while they are waiting for the mysterious host to appear, a recording levels serious accusations at each of the guests. Soon they start being murdered, one by one. As the survivors try to keep their wits, they reach a disturbing conclusion: one of them must be the killer.
Armand, a boastful womaniser, makes a bet that he can seduce any girl he wants. He soon crosses paths with a beautiful Parisian divorcee, who is nothing like anyone he has ever met before.
Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.
Henri Faust, retiring after 50 years as a professor in a circa-1700 French university, despairs at the ravages of old age ... whereupon Mephistopheles, agent of Lucifer, appears as a virile, handsome young man and exchanges bodies with him to induce Faust to sign a pact to exchange his soul for renewed youth, riches and power. But though the "new" Faust is attracted by the material improvements in his life, he remains wary of signing, while Mephistopheles, now posing as the aged professor whose body he inhabits, must find a way to trick him into signing the pact - and dissuade him from the love of a gypsy girl who prays for his soul - or find himself damned by his own Master...
A young turn-of-the-century newspaper man finds he can get hold of the next day's paper. This brings more problems than fortune, especially as his new girlfriend is part of a phony clairvoyant act.
The Last Billionaire is a 1934 French comedy film directed by René Clair and starring Max Dearly, Marthe Mellot and Renée Saint-Cyr. The film is based on a fictional small European kingdom which is on the verge of going broke. Its French title is Le dernier milliardaire.
Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend The Artist are forced at gunpoint to house a fugitive, Pierre Barbier, in Juju's broken-down home. The urge for being needed is such in Juju that he gives up drinking and takes care of Pierre. But one day Juju finds out that Pierre has been making love to his girl Maria...
Businessman Victor Hardy wants to buy the entire area around the small village of Cabosse. He claims that he wants to return to nature, but he also intends to profit by selling the water from the village fountain, which is reputed to enhance longevity. However old farmer Mathieu and his sons don't want to sell...