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A FILM ABOUT LIVING... AFILM ABOUT TODAY... A FILM ABOUT NOW Starring Chippa Wilson Filmed, Edited and Directed by Riley Blakeway Also featuring Benny Godwin, Dion Agius, Warren Smith, Andrew Doheny and Thom Pringle Music used with permission WAVVES 'King Of The Beach' wavves.net
Modern Collective is a group of young individuals including Dane Reynolds, Jordy Smith, Yadin Nicol, Dion Agius and Mitch Coleborn. The collective seeks to set in motion the expectations of surfing with a voyage to five high performance locations around the galaxy. The first trip took the collective to France, discovering giant ramps to experiment new moves on.
We see a lot. But don't remember much. The greatest moments of our existence aren't retained. And neither are our worst. Authenticity means jack anymore. And that isn't right. How is this age going to be remembered in 200 years? 500? We live in an age of transitional technology. Everything is instantaneous. Cheap. Silly. It appears and it disappears just as fast. But this time we got the band together. And did it our way. This is our bookmark. Our full stop. It is an actual document of individuality and modern surfing and living and romping and laughing. Collect it and recollect on it. Here we are now, entertain us. And we'll take it from there. Enjoy your Coca-Cola tour. We're spiking your soda, then the glass and kicking in the door to the museum.
The follow up to 'Nti Sheeto', the smiling bag is a new surf film starring OZZIE WRIGHT, CRAIG ANDERSON, NOA DEANE and CHIPPA WILSON. Filmed in Japan, Indonesia, Australia and USA. Shot on 16mm, Super 8 and Digital.
Presenting "Sorry, We're Open," the first movie from SUPERbrand. Starring Clay Marzo, Dion Agius, and Ry Craike, the whole project was edited by Kai Neville.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Based on the true story of Robin, a handsome, brilliant and adventurous man whose life takes a dramatic turn when polio leaves him paralyzed.
A decade after the death of an American TV star, a young actor reminisces about the written correspondence he once shared with the former, as well as the impact those letters had on both their lives.
All-stars from previous installments convene in glittering Las Vegas, battling for a victory that could define their dreams and their careers.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.