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Grace Penrose (Fenwick) is established as a "vampire"—a femme fatale type character of the era—due to heredity. Seeking a change from city life, she retires to a mountain lodge. She encounters married man John Winthrop and becomes obsessed with stealing him from his wife, Beth. The husband leaves his wife for Grace. The wife, however, seeks help from the local female mayor, whose own son was previously victimized by Grace. The townspeople, led by the mayor, take action against Grace. The film concludes with the villagers taking Grace to be tarred and feathered while the husband begs for, and is granted, forgiveness.
Press agent "Inky" Ames, in a quandary to publicize showgirl Anitra St. Clair, convinces her to paint a birthmark on her shoulder and pose as millionaire mine owner Theodore True's long-lost daughter.
The home of Mrs. Bryson and her two daughters is happy except for the poverty that prevents the girls from sending their sick mother away to the mountains. Both help to support the household, but it is Shirley who feels the responsibility of her mother's approaching death and her worry is evident to all about her. She is employed in a manicure shop frequented by wealthy men and meets Wilfred Templeton, who invites her to dine with him. He questions her about her dejected air and she tells him of her mother's illness. This is Templeton's opportunity, and he asks her to make a bargain with him. He will give her all the money she needs and in return she is to live with him in an apartment which he will establish for her.
WAS IT Better For Her To Have Loved and Sinned Than Never to Have Sinned At All? STOP--CONSIDER The girl he led astray was another man's sister. Yet-He protected the honor of his own sister with his life. IT'S ALL IN THE POINT OF VIEW.
Believed to be a lost film. A woman's reputation is sullied, and then recovers. Based on the poem "Reveries of a Station House" by Ella Wheeler Wilcox.
Artist model Margot uses her “Power of Decision” to choose between two men she loves, after much distress of course!
Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.
Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.