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This series from the regional homicide department in Hradec connects episodic cases with a larger central mystery—the unsolved case of a woman shot dead on the shore of a pond. This plot connects the individual episodes and gradually reveals that the perpetrator may be closer than anyone thinks.
When Hana Sikorova, mayor of a northern Bohemian village, stands up to a large coal mining concern that offers villagers large compensation in exchange for abandoning their houses built on land containing brown coal deposits, her fourteen year old daughter Misha disappears. The search for her daughter makes Hana suspicious of the whole community, after years of peaceful coexistence. Under the pressure of unfolding events, the community starts to fall apart and show its true face. Solving the mystery divides the story into several interweaving narratives that ultimately connect in unexpected ways.
A dark and absurd road-movie comedy in which the grandmother fulfills a dream, the mother stops treating her daughters like kids, the daughters stop treating their husbands like idiots, and the father's ashes get spread all over the country.
Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...
The story of a young woman who takes it upon herself to save her brothers and rid them of a curse which they were put under by their mother.
The four stories in the film form a mosaic of the fates of several married or partner couples who, at a certain turning point in their lives, are dealing with issues of wanted, unwanted, desired, or thwarted parenthood. The intention of screenwriter and director Alice Nellis is to use the parallel narration of several stories to show that the problem of modern parenthood is broader and deeper than the specific situation of any individual character. The number one domestic director once again comes up with a story that can touch viewers regardless of age or status. Each of the stories told about the desire for a child, the fateful decision of whether to have a child or not, or the effort to cope with the pitfalls that life has placed before us, could be your own.
Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos SucharÃpa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.
The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.
Celebrity hairdresser Erika might seem to have it all: a successful business, her own TV show, stylish modern loft in center of Prague, designer clothes, lots of friends and an ever-loving mother with a housework fixation. However, as Erika reaches her 40th birthday, all of a sudden here comes the deafening tick of her biological clock.Erika wants a baby and it has to be now or never. She is longing for a young life, even though she finds her own mother hard to get close to. The trouble is, she needs a man. The film follows in the lines of trashy genres, but at the same time it plays with them and by stressing 'gender themes' it even enters the poetics and ideology of feminism.