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This sweeping saga chronicles the hopes and dreams of a Korean immigrant family across four generations as they leave their homeland in an indomitable quest to survive and thrive.
Nagasaki, 1964: Following the death of his Yakuza father, 15-year-old Kikuo is taken under the wings of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of Kabuki.
A man brutally murders a married couple and leaves the word “ikari” (“rage”) written with their blood. The killer undergoes plastic surgery and flees. At three different locations in Japan, a male stranger appears. People suspect that the stranger might be the murderer.
An old swordsman, his former comrade and a young braggart are hired by prostitutes to track down bandits who mutilated one of the women.
Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.
In a park on a rainy evening, a 19-year-old university student, Fumi, offers an umbrella to a soaking wet 10-year-old girl, Sarasa. Realizing her reluctance to go home, Fumi lets her stay in his place, where she spends the next two months in peace.
Hoping to catch a girl's attention, high school students Ken and Adama cook up an ambitious plan. They plan a festival that combines film, theater, and rock music, and develop their project into a school road block. This plan however catches the attention of television stations and newspapers, and soon even the cops became involved in this teenage adventure.
Young women in a small Japanese town look to revive their home's declining fortunes by building a Hawaiian village tourist attraction.
Six directors picked a favorite song by Japanese punk rock band "The Blue Hearts" and made a short film inspired by the song.
A dream collaboration between five directors who represent the modern Japanese film industry! An omnibus work composed of five short films has been created. "The Short Films: We Were All Once Children." The theme that runs through the five short films is "children." The styles vary from period dramas to contemporary daily life scenes, but all of the works highlight the dreams of children, who are entrusted with Japan's future, as well as the issues facing the social system surrounding children. ©ABC Television