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1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.
In 1462 the Ottoman Turks displeased with Wallachian Prince Vlad the Impaler plot to overthrow and replace him with puppet ruler Prince Radu the Handsome.
Nae Girimea, a barber from a late 19th-century Bucharest neighborhood, finds a new mistress, Didina. This event sparks the insane jealousy of his 'soulmate' mistress, Mita Baston, as well as that of the violent Pampon, Didina's official lover. Caught in this whirlwind of pursuit and punishment of the daring barber, all taking place during a carnival, is also Crăcănel, Mita’s official benefactor.
At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.
Filmed in commemoration of Hungary's 1100th anniversary and on the sites of the actual events, a cast of thousands authentically recreates the 896 AD arrival of the Magyar chief Arpad (Nero) and his seven tribes into the Carpathian basin from the steppes.
In the fall, under the sign of Virgo, in a Dobrogea village, the harvest festival is in progress. An amateur troupe is playing a scene with Afrodite, Dionysos and Neptune; but also dome old shamanic dances. Dița and Dionis are preparing for wedding. But the sins of their parents will weigh heavily on them.
In 1916 as an officer in the Habsburg Army ethnic Romanian Apostol Bologa is torn between remaining loyal to the Habsburgs or deserting to the Romanian Army across enemy lines.
A young man's quest for a kingdom promising eternal youth and immortality. To reach his goal he must fulfill the three wishes of the Emperor's daughter, retrieve three golden objects, answer three riddles set by the Lord of Time, and overcome an evil witch and escape the Kingdom of Lies ruled by an evil Emperor and the young man's nemesis, the Prince of Lies. In return for good deeds along the way, he is given a magical horn and feather to aid him in his quest and is served by a flying horse, All this before he can finally enter the Kingdom of Youth without Old Age and Life without Death and marry the Emperor's daughter.