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Fernando is on vacation with his friends at a country house in Ezeiza. They relax by the pool, drink, smoke, and reveal their deepest secrets while displaying a playful freedom, as if they were children at summer camp.
Mateo and Lucas, best friends, go out partying on a hot summer night. Mateo meets Lucía, and she commits an act that will change their lives. From that moment on, Mateo and Lucas embark on a journey - both physical and personal.
Gabriel has just moved in with Juan. Shy and reserved, Gabo resists Juan’s wandering hands and intense gaze. With a parade of beauties filing out of Juan’s bedroom, his machismo seems firmly entrenched. Yet, the attraction between the two men is undeniable. What begins as a sexual arrangement born of proximity soon evolves into a captivating, tender, and intimate relationship - one that is as sweet as it is heartbreaking.
Eugenio spends the summer looking after his aunt and uncle’s house - a place that once belonged to him - while seeking inspiration for a screenplay he is writing. Martín, currently unemployed, offers to handle various repairs around the house. The two met long ago as children but had not seen each other since. However, their renewed connection is built on deception: Martín has nowhere to sleep but lies to Eugenio about it, while Eugenio seems interested in Martín as something more than just a friend.
After his girlfriend Laura leaves him for another man, Bruno plans to come between the new lovers. But his plan takes an unexpected turn, causing Bruno to question his own sexuality.
It is Christmas break, and Andy leaves the city to spend some time at a luxury villa with his best friends. The days spent in male company amidst the timeless atmosphere of the holidays foster rest, relaxation, and occasional horseplay. However, their initial consensual fooling around reveals that each of them has different personal boundaries.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...
The object of affection is a boy who never speaks (something that can work wonders in a film of this length), but whose crotch outline seems to be everywhere the lustful visitor (Javier De Pietro, previously seen in Berger’s Absent and Hawaii) casts his eyes.
An ex-cop entered a prison as convicted under a false identity in order to infiltrate within a group of prisoners that has just kidnapped the teenage daughter of an important national judge.
Inspired by true events, this is a nocturnal thriller that follows the 2015 kidnapping of Chichita—mother of writer Hernán Casciari—by Daniel Olesnik. Olesnik seeks to settle a blood debt: to avenge a prank played by Hernán and his friend Chiri back in 1987, which drove his own mother to suicide. It is an inescapable, suffocating, and deadly spiral of vengeance that unfolds over the course of a single night.