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Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.
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Haunted by visions of the future. Vilified by the political establishment. Charming beyond belief. Behold the dazzling ascent of Brian Mulroney, the “Boy from Baie-Comeau” who built a brand-new Canada.
Only the electrifying courage and love of Québec nationalism can save the citizens of Winnipeg from committing mass suicide.
A man confronts painful memories of a love affair now over. But he is perplexed by the appearance of a disgusting creature that he just can't get rid of. But can one really release oneself from the abominable things that haunt us?
Found-footage tribute to Winnipeg salesman and video artist Nick Hill.
A bizarre video collage created from the ashes of Winnipeg's local television broadcasts of decades past, detailing the rise and fall of the Winnipeg Jets.
A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.
In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.
Commissioned self-portrait of the artist as metaphysical remix of Abbas Kiarostami's "Close-Up" recorded on a cellphone.