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A painter with syphilis infects his brother's wife and the child born of their affair.
A tyrannical landowner terrorizes his wife and seduces the daughter of one of his employees.
An episode in the life of the Austrian composer Franz Schubert, who wrote the most beautiful love songs, but whose love life was very unhappy: The timid, myopic and rather portly Schubert falls for the beautiful, blond Countess Maria Esterhazy and has impossibly unrealistic fantasies about the two of them as she only admires him for his music. When he’s fired from his position as a teacher in the parish school, the village innkeeper Therese, who secretly has the hots for Schubert, gets him an engagement at a concert in Palace Esterhazy.
A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.
A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.
Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.
Paris, France, 1784. After living many tribulations, Joseph Balsamo, known as Count Cagliostro, an infamous adventurer, enigmatic magician and necromancer, experienced physician and ruthless swordsman, triumphs among the members of the decadent French aristocracy. But a bold foretelling about a very prominent noblewoman causes his fall in disgrace… (Partially lost film.)
The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.
This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.