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The story is about a film director, Kutani, who lives in the dying pink film industry, and an aspiring screenwriter, Iseki, and their loved one, Shoko, whose dream of a film she has clung to begins to crumble, and how their lives intersect.
A 40-something disillusioned novelist, Yazoe, haunted by a failed marriage and a crippling personal secret, navigates hollow affairs with a courtesan named Chieko while projecting his emotional void onto the protagonists of his love novels—until an accidental encounter with a naive college student, Noriko Seyawa, unravels his guarded solitude, forcing him to confront his fear of intimacy and the buried trauma shaping his twisted philosophy on love.
A group of four friends and lovers in their forties recall their past intimacies while trying to build new ones.
In suburban Tokyo in 1945, years of war and concentrated air raids by US forces have left the city in tatters and the population poor, tired, and hungry. The 19-year-old Satoko and her mother bide their time working nominal jobs and trying to stave off hunger. A displaced aunt turns up looking for shelter, but she is just another hungry mouth to feed. Satoko is becoming a woman and is drawn to the only eligible man in the neighborhood. This is a decidedly quiet film that focuses on a single character and her survival in dire circumstances in the spring of her life.
During the Kyoho period in the reign of Tokugawa Yoshimune, there is a gang of thieves active not just in Edo but also the Tokaido and the Nakasendo, and all across the Kansai region, stealing large sums of money with skillful techniques. They only target the very wealthy and never kill or injure people. They appear with the clouds and disappear like the mist. On the night that the beautiful Ochiyo is to become the bride of a dry goods dealer, a large amount of money hidden inside the shop is stolen. The gang disappears without injuring anyone. It was a two-year plan to marry Ochiyo off so that she could bring them in. The leader of this gang is Kumokiri Nizaemon, the greatest bandit of all time. He keeps a rein on his highly-skilled and notorious followers Nanabake no Ochiyo, Kinezumi no Kichigoro, Subashiri no Kumagoro, Ingakozo Rokunosuke and others.
Towards the end of the Edo era, in the town of Kyoto, there lived a wealthy merchant by the name of Imai Tadamasa. He was blessed with 3 children, Hatsu, Asa and Kyutaro. His eldest, Hatsu, was a traditional girl who loved to play the koto and sew. Whilst his second daughter, Asa, was an impish hoyden who loved sumo wrestling. Asa was engaged to be married to the second son of a distinguished family who ran a money changer business in Osaka, Shirooka Shinjiro. Although Asa was furious when she had first heard about the betrothal, when she met up with Shinjiro for the first time, his charisma greatly attracted her and she fell in love with him in no time.
Murasaki Shikibu (Yoshitaka Yuriko), the heroine of this story, wrote the bestseller 'The Tale of Genji,' transcending a thousand years during the Heian period. She weaves the story of Hikaru Genji, fueled by her love for Fujiwara no Michinaga (Emoto Tasuku), with her hidden passion and incomparable imagination. It is a tale of a woman who lived with unchanging love in an ever-changing world. (From TV JAPAN)
The 82nd NHK Asadora is Gegege no Nyobo. The story is based on a 2008 autobiography by Mura Nunoe, the wife of Gegege no Kitaro mangaka Mizuki Shigeru. The story revolves around the life of the married couple, told from the perspective of Mura. --Tokyograph
The series depicts "Kyoto as Kyoto people love it" in dramas and documentaries.
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.