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1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.
The humorous adventures of an all-male team of cyclists training for an upcoming important bike race.
Nae Girimea, a barber from a late 19th-century Bucharest neighborhood, finds a new mistress, Didina. This event sparks the insane jealousy of his 'soulmate' mistress, Mita Baston, as well as that of the violent Pampon, Didina's official lover. Caught in this whirlwind of pursuit and punishment of the daring barber, all taking place during a carnival, is also Crăcănel, Mita’s official benefactor.
After WWII Comisarul Moldovan spent years as a political prisoner of the communist regime. The favorite entertainment of the Russian Colonel in charge of the prison was to have the inmates play Russian Roulette. Only his unbelievable luck and survivor spirit helped Moldovan live through his detention. Out of the prison the ex-policeman joins an international Russian Roulette illegal gaming circuit. In late 70's faith brings him to a Central European town where Goldberg, an old acquaintance of his is organizing an "improved" version of the game where two opponents are shooting each other. Step by step Moldovan meets lots of familiar faces, both friends and enemies. It looks like the whole Bucharest's underworld from the 40's chose to meet here.
A gang falsifies college degrees and sells them. They also help their careers, so that later they can blackmail them to obtain industrial espionage.
Three young man run in the rain with a borrowed car. The first accident, whose victim is a girl, gives the signal for a race through the city to escape the police crews. Race ends tragically, with another serious incident, even one victim is involved. The only way out is escape. The film shows the psychological transformation of fugitives, in their desperate attempt to evade the consequences and pressures of their conscience.
A prosecutor, policemen and teacher take the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.
The film tells about the period when Romania joined the Allies against the Axis in WW2.