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This movie is a screen adaptation of the eponymous play by Horia Lovinescu. It follows a "bourgeois" family as it copes with the emerging communist regime. Different members of the family take different paths.
A university lectop finds himself embroiled in a nasty blackmail case. Powerful businessman Busoni is preparing a stab at the grain market. This Protar scam should enrich him, but an article by a university professor changes his plans.
On a cement factory construction site, the chief engineer reconnects with his ex wife, time to re-evaluate his life priorities.
Adapted from the sketch by Ion Luca Caragiale. A fine irony on pre-war politicism, which manages, through gastronomic means, to ridicule an entire political class.
A subpoena on perception turns the life of a teacher upside down when he finds himself taxed for what he never even had: two buffalo. Because of the aberrant bureaucracy, he can't even get rid of the fictitious cuckolds...
Film montage, commemorating the 50th anniversary of Romanian comedy, using fragments from Romanian films from 1927-1977. The connecting sequences - the conversations of cinephile travelers on their way to the film studios in Buftea - account for about 40% of the total length of the film. We are grateful to the filmmakers for the reunions with great actors who have passed away or great living actors. We are very grateful to them for their kind and benevolent effort to entertain us in every way and in every way; the comedy way, the musical way, the music-hall way, all ways, because, if you look closely, an excellent comic moment comes from a detective movie.
A terminally ill professor gets an immoral offer.
After years of deplorable conditions of poverty and injustice, peasants revolt against the landowners, the social elite, and police in this routine social drama. A peasant woman is raped by a lecherous wealthy lesbian, and chaos breaks out in the rural areas where the poor suffer the most from the oppressive social and economic conditions.
A prosecutor, policemen and teacher take the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.
In the Free Theater (Teatrul Liber) of Bucharest, the actors and crew prepare a new show, with the play "Disguise" ("Travesti"). After the opening night, which is only partly successful, they reach the conclusion that, along the years, they came to the mistake of also disguising this true feelings, becoming hypocrites, and this has a negative effect to their stage performances too.