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Stuck in a fishing village in Hokkaido, Tadao's grand-daughter Haru is desperate to visit Tokyo, a trip Tadao is reluctant to make.
Because of the desolate landscape, Kobayashi chose snow-covered Hokkaido (the most northern island of Japan) as the setting for Amazing Story, a light-erotic drama about a lonely man, Kenji, who kidnaps the woman of his dreams. The woman is Harumi, a hairdresser in the deserted town where Kenji has just arrived. It's never really busy in her business. Harumi's husband is a gambling addict and spends all Harumi's money. Maybe that's why Harumi doesn't try very hard to escape when Kenji kidnaps her. His concern about her and his boundless worship probably help, too. Something strange and beautiful blossoms between the kidnapper and his victim, but can this be the basis of a long and happy encounter?
A couple who have lived under the same roof for years without speaking a word, as if practicing a silent meditation. Marina, who came to Sawai Island in search of a legendary love story, and another foreigner, a young man with the same name as the legendary protagonist. The landscape of foreigners living difficult lives in Guro-dong, Garibong-dong, Sillim-dong, and Ansan, Gyeonggi-do, South Korea. Director Kobayashi Masahiro, beloved by Cannes, Edwin, the future of Indonesian cinema, and cineaste Jang Ryul unfold a story of "people who feel alone even when together."
A sixteen year old boy, Ryo, experiences the painful ordeal of his mother being hospitalized and then dying. The boy turns to crime, but doesn't find success. He then seeks out his remarried father, but the pain still exists.
The movie is absurd, and a thoroughly original take on the morale in Japanese society. The images are beautiful, and the people are as cold as the snow that surrounds them. The take on Melville's "Samoraï" from -67 is obvious, but Kobayashi turns the image around and portrays the killer as the weakest person in the movie - haunted by his demanding wife and the moaning contractor, who is one of the most mysterious characters ever portrayed in a movie.
Kazuo Murata is a detective who has lost his wife and eventually the meaning of his existence.
In 2010, 31,560 people ended their own lives and about 20,000 people died or went missing with the earthquake. Unemployed widower Fujio Murai’s family tragedy contains instances of both; diagnosed with lung cancer, Fujio refuses surgery and returns home with his son Yoshio.
A young-at-heart widower leads an independent life in a quiet fishing town in northern Japan. He eases his loneliness by walking in the snow and studying the growth of fish at a breeding center.
Chokichi Kuwahata was once a leading actor, but he is ravaged by dementia and old age now. His daughter and the men in her life go against his wishes and place him in a retirement home. He slips away one day and meets another offspring from a different union.
A down-and-out scriptwriter spends his days and nights in the bars of Tokyo. When he is thrown out of a joint because it is closing time, there is always a willing lady to spend the rest of the night with. In the street he has countless semi-philosophical discussions with fellow drinkers, male and female, (shot in black-and-white, as prologue to the different chapters) but in the end it often comes down to one thing: the bottle of whisky that has to be finished. An encounter with a homeless young man with AIDS marks a turning point in the life of the writer.