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A group of young people from the Colegio Nacional Buenos Aires recount their wanderings and their days in high school at the time of the National Organization in Buenos Aires.
A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.
Giácomo is an Italian man in his forties who is single, dedicated to earning money in his business. He strikes up a relationship with a Spanish singer, whose brother encourages her to conquer him to take her money.
A group of friends, artists and mechanics invent a unique, high-powered car carburetor that will allow them to win an important race. The device is stolen, and the prime suspect is the girlfriend of one of them. In their quest to recover it, they become involved in a madcap race of intrigue, confusion, and entanglements, in which the protagonists display all their histrionics and comedy.
A policeman goes on the trail of a smuggling gang whose boss wants his girlfriend.
The five members of a soccer team discover a case of bribery.
The consequences of having accepted a thief as a guest in the house.
This relentlessly realistic Argentine production was released in the U.S. as The Marked Man. The title character is a poverty-stricken janitor who suddenly wins an enormous sum in the National lottery. Spending money before he actually collects it, the janitor is appalled to discover that his wife has inadvertently sold the winning ticket to a door-to-door peddler. The ticket was hidden in the band of an old straw hat, which passes through several hands as the janitor frantically searches for the precious headgear. What might have been handled as a farce by another director is transformed into a stark, utterly credible urban tragedy by director Francis Laurie.
A vagabond receives a large fortune as an inheritance and summons his peers to decide what to do with it.
A vaudeville singer secretly marries a wealthy landowner, who soon returns to his ranch, fearing the rejection of his snobbish family. To teach him a lesson, she shows up at his estancia pretending to be a maid.