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Based on true stories, ALLURE is a process-driven film, where filmmakers and actors worked together through a series of improvisations to tell the stories of five women in New York, who come from five very different countries. Each one struggles to overcome her personal conflict, set against the Occupy Wall Street movements of 2011. These stories touch and inform each other, and create a larger narrative about gender, emigration, power, class, and personal politics.
In New York, an absurd coincidence links the lives of a Yugoslavian hitman, his ex-wife and her new partner, a policeman whose father was a criminal. His code name is "Uncle Vanya". He grew up in Bosnia, an orphan of both parents and, having never met them, he does not know whether he is a Serb, a Croat or a Muslim. A victim of his fate and his past in war-torn Bosnia, he has become a hitman. He would like to stop killing but he can't.
In this humanistic comedy, set against the backdrop of economic crises and bad news, an extravagant international cast of characters meet, fight, and fall in love, while hiding from the end of the world and other calamities on the tiny Greek island of Khronos.
The poet Yevgeny Yevtushenko, himself once an immigrant in New York, wrote that NYC is not a city, not a country, but all humanity in one drop. THE CITY explores this humanity, now, in New York City, through the unique eyes of non-native New Yorkers, exiles, immigrants, refugees, eccentrics, and a Ghost. A collage of stories, together with the montage of images, sound and music, running through the film like a heartbeat, create New York moments, frozen in a particular time. Accompanied by haunting visuals, Rainer Maria Rilke's poetry, and a unique score by Sxip Shirey's "mutant harmonica," THE CITY is also a visual poem to a city of immigrants, which keeps re-inventing itself through its history, and into the new century.
Delves into hope and resilience in a post-COVID world. The film centres on Alice, a young doctoral student who explores humanity’s narratives while battling her own emotional detachment. Her life takes a turn when she meets an enigmatic stranger, igniting a transformative journey through haunting black-and-white cityscapes.
In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.
Henry Brogan is an elite 51-year-old assassin who's ready to call it quits after completing his 72nd job. His plans get turned upside down when he becomes the target of a mysterious operative who can seemingly predict his every move. To his horror, Brogan soon learns that the man who's trying to kill him is a younger, faster, cloned version of himself.