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The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences.
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
In a capitalist country, workers are heavily repressed but manage to get a Death Ray to fight back. Partially lost movie.
After a man kills two members of his Yukon gold prospecting team, the other two surviving members struggle to keep him subdued for the next several months until they can turn him over to the law.
A story about two teenagers and their life during WWII in Urals district of Russia.
An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.
A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution.
A man is caught between his friendship with a young engineer wishing to open his peat-powered electric plant and his love for a young woman, whose father owns an oil company.
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.