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Ewa Rudling's career as a photographer got an explosive start. She was in Paris when the student revolt began in May 1968. Ewa borrowed a camera and the pictures she took at the barricades at the Sorbonne University ended up in British The Observer. Physical and psychological abuse was part of young Ewa Rudling's everyday life. She had to take care of the little sister, but never felt any support from her mother. At the age of 19, Ewa too off for Rome. Her Nordic looks and appearance made her a model. Later she moved to New York and on the skating rink in Central Park, she met her prospective husband, Claude Duthuit, daughter's son to the artist Henri Matisse.
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
Using the mother’s life and constant flight as the main thread, the film shows us a deeply religious, Jewish girl, born in the Ukraine in 1902, who died an atheist and communist in Copenhagen in 1985.
In 1982, one year after the Soviet submarine U-137 had been found beached in Swedish waters, the Swedish government claimed to have captured another submarine in its waters. As time went on and no submarine turned up the shouts for proof grew louder and luder.
In 17 chapters, Wechselmann narrates about the atom bomb and nuclear power, but also about the history of resistance.