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In Madrid, under Queen Isabel II reign, rebellions are frequent events. During one of them Captain Jorge de Córdoba, nicknamed Veneno (poison) for his quarrelsome disposition, bad temper and outright misogyny, is hurt and taken to a house where two women, a widow and her daughter, are to take care of him.
The famous couplet singer Mimi Pompon leaves everything to marry Heriberto Promenade, a wealthy merchant of Limoges with five marriages behind her. Of course Mimi has also been widowed five times. Saintpaul, an astute police, suspicious of so many accidental deaths and closely monitor both the mansion. Gradually, we discover that Heriberto, fearing that their wives may betray him, the killer, always with the complicity of her mother.
Carmen, a young Sevillian woman who wants to succeed on the radio, arrives at a decrepit station that goes through bad times. Thanks to her, the radio station will get a much quoted prize.
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
Merritt Blake, an American architect who is travelling in Spain, contracts the services of beautiful local interpreter Mari Zarubia. Sensing there may be something more going on, her jealous lover is not happy about the arrangement.
Filigrana is in the prime of his career. His dressing room is full of flowers and always the same fan: William Harrison who asks her to marry him. Watermark says he heard those same words in the mouth of another man, the Earl of Montepalma, player and womanizer who loved and yet humiliated by a gypsy.
Alfredo Di Stéfano plays himself, not as a soccer player but as a man, husband and father. This is a personal portrait of the mythical athlete, in the decline of his career. Film made to the greater glory of the football player Alfredo Di Stefano. In principle it is a portrait of manners of the life of the athlete at the time of professional retirement. Filmed by Luis Marquina, " The Battle of Sunday " mixes the form of a conventional film with the topics of biographical documentaries. However, the film was an important public success, given the importance of Di Stefano in Spanish football.