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A husband wants to win back his wife, even though she has been living with her lesbian lover for six months.
Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
When she lands up in the middle of nowhere, Séréna, a rather thoughtless young woman, is supposed to marry Hubert, a country squire she came into contact with through the classifieds in "Le Chasseur Français", a magazine for hunters. But she gets to know Roland, a bachelor farmer who develops an instant burning passion for her. Prepared to do anything for her, he goes as far as to holdup banks to secure the good life she longs for. Although she confesses (wrongly) that she suffers from AIDS, he is in no way discouraged. Séréna accepts to marry Roland but on her wedding night she balks at taking the "midnight exam". She runs away and meets Antoine, a married writer, who hides her in the attic of his house, without his wife knowing it.
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.
On a whim, the long-married Hélène decides to look up a former lover of hers. At his apartment, she is met by the man's grown son, Julien, who tells her that his father died just a few days before. Before long, she has become Julien's lover, but she is also increasingly becoming attached to the rather unlikely idea that Julien and she are genetically related. Meanwhile, her cardiologist husband cannot fathom her increasingly bizarre behavior. It is one thing to have an affair, even with a much younger man, but she seems to be edging ever-closer to the borderline between sanity and madness.
Student Claire lives with her mother, Anne, and Sebastien — a young man Claire brought home out of pity who is now trying to seduce them both. At school, Claire meets Gregoire, who loans her a book by philosopher Soren Kierkegaard that makes the reader attracted to whoever gave it to them. Smitten with Gregoire, Claire passes the book on to her therapist, who then falls in love with her.
Kaamelott is a French comedy medieval fantasy television series created, directed, written, scored, and edited by Alexandre Astier, who also starred as the main character. The series, which originally ran for six seasons (referred to as 'books'), ran from January 3, 2005, to October 31, 2009, on M6. In this offbeat account of King Arthur's quest for the Grail, virtually every journey, battle or adventure is stopped dead in its tracks by the knights of the round table's most worldly traits: cowardice, greed, idiocy or misplaced chivalry. As a consequence, instead of epic adventures we are treated with the characters' pragmatic and anachronistic take on each and every event in the Grail legend, true to the purest sitcom tradition.