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Ming Dynasty secret agent Ling Ling Ling (000) is assigned to investigate a drug poisoning involving a performance enhancing drug in the brothel, Ying Chun Kwok. Ling thought hard and finally came up a disguise as the author of Yuk Po Tuen (Sex and Zen) to sneak into the brothel. The prostitutes in order to get their names into the book all tempted Ling, who in order to appaise the ladies, turned the book into a book of dirty stories. One day, a blind servant Yuk Chu Nui (Jade Virgin) is auditioned, Ling learned that the buyer would receive the drug, so he bidded up the prices hoping to receive the evidence. Who would expect that someone else is bidding with a higher price?
Before Michael Mak’s Sex And Zen became a cult favourite in the ’90s, there was Ho Fan’s Yu Pui Tsuen (The Carnal Prayer Mat, 1987). But without sex bomb Amy Yip, coarse humour or lesbian love affairs, Yu Pui Tsuen had to rely on the nudity and sex from his cast of relative unknowns to save the day. When a young man dreams that he drowns after a night of carnal passion, he asks a buddhist monk to translate the experience for him. The monk replies that the dream is a warning not to indulge the pleasures of the flesh to excess, but the man ignores his advice, marrying a virgin and making love to her constantly. However, after several torrid affairs, the man begins to realise the sagacity of the monk's warning.
David is sitting in a bar, musing over why he has bedded and left five or six of Asia's loveliest women in such a short time.
Confirmed bachelor Man Suen, a university professor, must get married by the age of 35, otherwise he and his playboy brother, Ray Suen, won't inherit his father's fortune of 50 million dollars, which will then go to his uncle. He is unaware that his colleague, the prim Miss Cheung, is in love with him and that she dreams of being rescued by her hero. His brother has met a young heiress, but his uncle has hired a sexy siren to prevent the marriage.
"Wild at Heart" is a love film directed by Ho Fan and Qian Wenji, starring Shen Guanjun, Yang Yijia, Weng Xuehua, Liu Zhi, Xu Zhen, and Chen Zihong. It tells the story of a lascivious man carrying his wife around to provoke flowers, which was finally exposed and tortured by four women.
Haunted by her past, an ailing young woman who recently lost her mother and the roof over her head is reluctant to accept the generosity of an older man who fell out with his own daughter whose affair with his boss's son cost him his job; her reasons are revealed only after her death and when the past is dredged up. Based on Fyodor Dostoyevsky’s Humiliated and Insulted, the film was filmed and distributed in Taiwan however was not released in Hong Kong. It is Ho Fan’s first attempt to fulfil his vision for an art house production in mainstream cinema which breaks the mould by mixing the nuance of art films with popular culture in a confrontation between the old and the new. It was selected in the 1980s by Hsu Li-Kong, director of then Film Library of the Motion Picture Development Foundation (now Taiwan Film and Audiovisual Institute), as part of its permanent collection. (By Reel to Reel Institute)
Tang Monk is a woman, and she was almost killed by Wukong XX when she went out, but fortunately, the spider spirit appeared immediately. After subduing Wukong, the two masters and apprentices immediately went on the road to Gao Laozhuang...
Kong Ping has a half brother Kong Shek, a playboy, and another brother Kong Fai, who was adopted by her parents, and is an honest doctor, single. A couple of lover comes to the family Christmas party -- Fan Lin and Daisy Ha. Fan Lin maintains sexual relations with Daisy Ha, but marries Kong Ping, just for better future. As an avenger, Daisy Ha marries Kong Fai. Still, she maintains an affair with Fan Lin. Meanwhile, Kong Shek courts Daisy Ha constantly. The two gradually develop love between themselves.
Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)
Pin-up photographer meets the girl he wants to marry.