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A woman's inattention results in her daughter's being run over and killed. Grief and guilt drive her mad.
In all the arts the ancient Greeks excelled and their statuary, their music, their poetry, their dances, have remained to subsequent generations a standard to be followed and emulated. Terpsichore was the goddess of the dance, and if we read our mythology aright, taught the poetry of motion to her devotees. To all but a few who have made a study of Hellenic dancing such grace of action, such lithesomeness of body as was essential to the art when Grecian beauties tripped lightly and rhythmically over the green sward, is impossible. Mesdemoiselles Napierkowska and Marly, however, are superb in an exquisitely graceful ballet by Sacha Dezac, entitled "In Ancient Greece." The dance is perfect and the quality of the film is such that it is difficult to believe that the dancers do not themselves appear in the flesh before the eyes of the spectators, instead of being a mere photographic reproduction of their swaying rhythmic movements.
George, passing a pretty woman in the street, has recourse to that old-time trick of dropping his own handkerchief and hurrying after her, making believe that he thinks it is hers. On examining the handkerchief, the beauty returns it, telling George that it does not belong to her. He then confesses that he knows very well that it is not her property, as it happens to be his own, and his offering it to her was only an excuse to make her acquaintance, so struck was he by her beauty. Upon this frank declaration the young woman draws herself up haughtily, but George is not to be discouraged, but follows closely behind her, ready to be of any assistance on the slightest pretext. We therefore see him arriving at the lady's house laden down with such articles as a lampshade, a statuette, a bunch of roses, a bundle of dress goods, and, in addition, leading an enormous dog on a leash, against whose attacks he is endeavoring to protect himself.
An orphan boy escapes from a reformatory.
Madame Récamier hosts fashionable and influential salons. Her beauty and intelligence attract many suitors, and her politics put her in conflict with the French government.
Life is not easy for a young woman with no parents--her mother died and her alcoholic father abandoned her. Nevertheless, she climbs her way out of the underclass, going from prostitute to wife of a count.
The Eyes of the World is a 1930 American pre-Code drama film directed by Henry King and written by Brewster Morse and Clarke Silvernail. The film stars Eulalie Jensen, Florence Roberts, Una Merkel, and Nance O'Neil.
An actor and his wife have a tumultuous relationship. It ends in separation and a child custody battle.
A couple, Hasia and Otto, are brought together by their loss of wealth and status as the imperial era ends, but torn apart by an unusual offer from a wealthy man. The man wishes Otto to marry his daughter, as Otto bares a striking resemblance to his daughter's fiancee who was killed in WWI. In exchange, Otto will want for nothing.