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After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.
Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.
The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.
Film by Karel Lamac.
Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).
Professor Grant signs a contract with Dr. Selin for the sale of his invention of cold light with the plans for his invention being kept in Grant's apartment. The negotiations are secretly heard by the illusionist Durk, who wants to seize the invention. A few days later Selín is found dead, killed by a light bulb filled with poisonous gas. Durk performs at the birthday party of Grant's daughter Anna and seizes the plans for the invention.
Capricious Lady Virginia has an unexpected double in a girl who works at a fair and wishes for a beauty salon. When the first one's eccentricities lead to her arrest, the second is paid for going to prison. There she meets Charles, Virginia's suitor. When out of jail she will have to fight not only for him but for going through with the leading role in a skating show.
Kiki who has a walk-on part in a show, is in love with her director, who doesn't notice her at all. She settles into his home and causes him to break up with his lover, the star of the show; and finally manages to make him love her.
KAREL LAMAČ (1987-1952), who worked in Germany for a long time, was forced to leave for France and then Great Britain before Hitler's fascism, where he continued to direct films. His film Švejk is Destroying Germany from 1943 was created under the influence of wartime circumstances and was intended mainly for a British audience. Perhaps this is also why the tone of the original Czech hero of Hašek's humorous original deviates from his traditional way of portraying him. He transfers him to the wartime reality of the time and, through a series of coincidences, makes him a military servant of the Gestapo commander, which gives Švejk the opportunity to save many people from deportation to concentration camps. Lamač is therefore not driven by the motive of an authorial interpretation but rather by the need for propaganda. This is also emphasized by Foreign Minister Jan Masaryk, whose opening words were added to this comedy in 1947, when it was released into Czechoslovak film distribution.