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Lovely, gifted Irene Foster hopes that her childhood sweetheart-turned Broadway producer Robert Gordon will recognize her--and her talent. Gordon is too busy sparring with a dirt-dishing gossip columnist to notice, but his wisecracking, heart-of-gold secretary certainly does. She and Irene must use their wits to show him what he's missing!
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to, gives him the name of his partner.
Maisie Revere, a showgirl stranded in Los Angeles, decides to join the local police department on the persuasion of Lieutenant Paul Scott who wants to use her as an undercover agent to expose a conman.
Bill Whipple is a happy-go-lucky mechanic for MacDonald who thinks that he is the worlds greatest driver and lover. Mac has treated Bill like a son since he took him in. One day at the track, Bill sees Pat Bannon, and tries his best to impress her, but to no avail. On his way to catch a flight, he tricks Pat into taking him to the airport and she gets even by taking him up in a plane. He hates to fly, but will not show her that he is afraid and when the plane breaks up, he is a hero for rescuing her. This gets him publicity and Renny offers him his car to drive in the Indianapolis 500. Bill breaks with Mac to drive the car and puts it on the pole for the race. Then Renny double crosses Bill and plans to drive the car himself since Bill has tuned it so well.
Upon observing the adoration that track star Culver Covington receives, his friend, J. Wallingford Speed, decides to impress Helen Blake by also posing as a sprinter. Meanwhile, when Roberta Keap decides to retire to her Western ranch while awaiting her divorce, Speed, Helen and various friends accompany her while her husband Donald takes up residence at the neighboring Gallagher ranch.
A small-town businessman bumbles into blackmail and a real-estate swindle.
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is.
A talented songwriter gets his inspiration for songs from others and not from within himself. He is oblivious that he may harm other people when he uses their stories or their love for himself.
WBLA is on the air, presenting the live music, the sudsy dramas and the sell-sell-sell of commercial interludes that keep consumers buying and sponsors smiling. But one sponsor, a producer of plumbing supplies, isn’t happy. So WBLA scriptwriter Bill Grimes is bounced from his job, setting in motion this movie’s turn from comedic to darkly tragic. William Haines, two years removed from being Tinseltown’s top male star, plays Grimes in a melodrama noted for its glimpses of live radio production and for a Depression-era ethos that includes peroxide cuties eager to land a job, a sugar daddy or both.