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The adventurous life of Portugal's epic poet, Luis de Camões.
It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.
Based on the novel of the same name, by Júlio Dantas, this is the first Portuguese all-talking sound film, dramatization of the story of the Fado singer Maria Severa Onofriana, known as A Severa.
Maria Papoila, a shepherdess from Beira working in Lisbon, one day meets a rich young man, Eduardo, whom she assumes to be of her own social standing due to his uniform as a private soldier. Some time later, arrested as a suspect in a major robbery, Eduardo is abandoned by his selfish fiancée, Margarida, and it is the "soup girl" who, although despised in her dream and sacrificing her honor, appears in court as Eduardo's lover, and he is acquitted. Without asking for anything in return, Maria Papoila returns to her village.
In 1336, Pedro, heir to the Portuguese crown, marries Constanza Manuel de Villena, a Castilian noblewoman, for political reasons; but the impulsive prince ends up giving in to his love for Inés de Castro, his wife's lady-in-waiting.
The first Portuguese documentary. A remarkable look at the lives of the working people of Nazaré, a fishing town in Western Portugal.
The Man with the Crooked Eyes is a unfinished 1918 Portuguese silent film made for Lusitânia Film and directed by José Leitão de Barros, starring Filipe Melo. This was restored and edited together in 2007 using all existing raw footage.
A Portuguese bourgeois dares to look at a Spanish lady's delicate ankles at the beach, but his wife will have nothing of it. Later, it's him that forbids his daughter from seeing a young man she had met at the same beach.
Falacha is the captain of a fishing boat, who loses his men in a shipwreck. Among them was the husband of Aurélia, who holds Falacha responsible for the tragedy. Maria, Falacha's daughter, falls in love with Manuel, Aurélia's son, a situation that their mothers refuse to accept.