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Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...
A look at the lives of 19th-century composers Clara and Robert Schumann.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
In order to be reunited with Mahmood (Ören), a man she was promised to as a young girl, 20-year-old Shirin (Erten) leaves the life she had in a small village in Turkey in search of him.
Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.
Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.
Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.
"Hermann mein Vater" is a companion piece by director Helma Sanders-Brahms to her 1980 film "Germany Pale Mother". The latter work was focused on the impact of war on a German family. This made-for-tv documentary follows Sanders-Brahms and her father Hermann on a trip to Normandy, where he was stationed as a soldier in 1940-41.
Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?
Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...