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From the encounter between Maria Clara, the filmmaker, and Gil, the character, not only cities but entire cinematic possibilities explode. Dreams and desires collide with the harshness of reality, giving form – through art – to the dilemmas of collective human existence. As in her acclaimed debut feature, “Os Dias Com Ele,” Maria Clara Escobar starts from her immediate surroundings and amplifies the scope of her camera, this time telling a story of women and the passage of time in a country that offers little mercy to either.
The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.
On the eve of her 65th birthday, Dolores has a premonition: her life is about to change. She will own a successful casino. However, her gambling addiction of the past may work against her. Deborah, her only daughter, waits for her boyfriend's release from prison to start a new life, whilst her granddaughter Duda clings to a chance of working in the United States. All three women will strive to make their dreams of a better life a reality, going for it all or nothing.
Story about the imposing building Edifício São Vito, a mark on the center of São Paulo gentrification system. The building was demolished in 2011, with many families being deallocated after an agreemente with the city town that was never accomplished.
After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.
This is Juliana Rojas and Marco Dutra's second school project. The short film features members of the school's class in the cast. They are credited as Ju Chiquitita Rojas and Marco Mamma Mia Aurélio. The short features an appearance (in drawings) by Casal Medo, characters the directors would use again in other works.
After heartbreaks and professional disappointments on planet Earth, Julio and Clara decide to flee together into space.
Heather bumps into Carla, having not spoken to her in years, and presents her with a very unexpected proposition that could change both of their lives forever.
In a small village, a lonely fisherman yearning for a son is drawn to an ethereal light that links him to others and their long-buried secrets.