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In a rough style, by way of unique footage, the brutal consequences of modern wars are exposed. The film also depicts the ability of women and children to handle their everyday life after a dramatic war experience. Many of them live in tents or in ruins without walls or roofs. They are all in need of money, food, water and electricity. Others have lost family members, or are left with seriously injured children. Can war solve conflicts or create peace? The film follows three children through the war and the period after the ceasefire.
The 50 year old house wife Ingrid is unsuccessful in her first job after the kids have grown up. her husband send her to a stay at a summer hotel, where she return to spirit and goes back home only to find him in bed with a lover.
A young girl growing up in Bergen, Norway just after the 2nd world war, is trying to deal with the father's adultery and mother's deep depression, as she befriends a boy.
In a rural western town in 1890 a woman has a mute old daughter after relations with her step father, which in his need of money, wants to sell them off to a rich skin tradesman. While resisting this, the woman turns lame.
A Norwegian TV-worker tries to prevent her son, which she has with her former husband, a Serb now living in Jugoslavia, to become a soldier in the starting civil war.
During World War I in Norway, the lives of a shipping agent and his family are put under pressure when he becomes bankrupt and his wife's mentally disturbed sister comes to stay.
In 1973, the First International Women's Film Seminar, organized by Claudia von Alemann and Heike Sander, took place in Berlin and is considered one of the first feminist women's film festivals ever. Norwegian director Vibeke Løkkeberg was invited with her film ABORT (1971) and traveled with her film team to document this crucial networking event of the feminist media movement. She filmed the plenary discussions and conducted interviews. Due to a lack of funding, the footage was forgotten. Only 50 years later, the material was rediscovered in the Norwegian National Library, and Løkkeberg seized the opportunity. It is a time travel into the second wave of feminism in the 1960s and 1970s. Keywords from the discussions of that time remain relevant today: abortion, sexual education, wage discrimination, and health issues. The result is a fascinating portrait of women determined to make films on their terms
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.