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For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
At death’s door, a beloved king is doomed unless someone takes his place. So then his wife resolves to sacrifice herself to save him. Christoph Willibald Gluck composed his reform opera Alceste not once, but twice. In La Fenice’s production of the lesser-known original Italian version, director Pier Luigi Pizzi strips the action down to the bare emotional drama of Alceste’s sacrifice.
George Frideric Handel was one of those rare composers who excelled in both sacred, secular, instrumental and operatic music, leaving us extraordinary masterpieces in every field. Already renowned in Italy, Handel introduced himself to the city of London with his opera Rinaldo in 1711, which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades, Rinaldo is a lavish spectacle that tells a story of love, magic, struggles for power and ultimate reconciliation. Pier Luigi Pizzi’s acclaimed production brings us into a ‘dreamlike, unreal … world of spells and incantations’ (Epoca). Cast:- Armida: Carmela Remigio, Goffredo: Leonardo Cortellazzi, Almirena: Francesca Aspromonte, Rinaldo: Raffaele Pe, Argante: Andrea Patucelli
L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid, May 2010.
Carl Maria von Weber's romantic opera staged at Teatro Lirico di Cagliari in 2002. Gérard Korsten leads the Orchestra and Chorus, with performances by Elena Prokina, Jolana Fogasova and Yikun Chung.
Discover this rare Verdian jewel! Aroldo—one of the composer’s least performed works—premiered in 1857 in Rimini, Italy. The work was created in response to the censorship of Verdi’s 1849 Stiffelio, whose tale of a protestant pastor publicly pardonning an adulterer and his wife proved too scandalous for 19th-century Italian society. In creating Aroldo, Verdi’s librettist and collaborator Francesco Maria Piave transposed Stiffelio’s story and characters to the more distant setting of Great Britain at time of the Crusades, and the composer took advantage of this new version to add a fourth act to the opera, and to rewrite part of the first act as well as a few arias.
American soprano Deborah Voigt takes the lead role in this production of Ponchielli's opera recorded live at Barcelona's Gran Teatre Del Liceu in 2005. With stage direction by Pier Luigi Pizzi, performers incude Elisabetta Fiorillo, Carlo Colombara, Ewa Podles and Carlo Guelfi, while Daniele Callegari conducts the Orchestra and Chorus.
Live from La Scala 1989
Among the greatest operas in Richard Strauss's oeuvre, "Der Rosenkavalier (The Cavalier of the Rose)" spins the tale of the Marschallin (Elizabeth Whitehouse), a dowager struggling with old age. Making the transition more difficult is Octavian (Ildiko Komlosi), a lover many years her junior. This 1997 Palermo production, under the baton of maestro Pier Luigi Pizzi, co-stars Daniel Lewis Williams as Baron Ochs, the Marschallin's obnoxious cousin.