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Based on the letters of a fictitious poetess to her lover. Duras reads extracts from these letters, as the film shows a boat journey down the Seine, past familiar bridges and landmarks. – BFI
With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.
Traces a slow advance through Paris in the early hours of the morning. The deserted boulevards of Paris are punctuated by interspersed groups of dark-skinned workers, stray prostitutes and vagabonds.
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.
Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.
On images of the Tuileries Gardens, Marguerite Duras recalls Césarée, an ancient destroyed city.
Le Navire Night is a story of love and desire sustained and nourished through sound waves. The film’s voice-over tells the story of a woman, terminally ill with leukemia, living in isolation at her wealthy father's villa, and a man working night shifts at a telephone company. They have never met in person.
Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.
In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.
A husband and wife meet three years after their formal separation, when they return to the provincial town where they once lived to pick up their divorce decree.