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Without knowing about each other, bachelors Salomon, Arvi, and Martti each hire a domestic helper for their shared apartment. The job goes to the energetic professional Manta and the modern young women Helvi and Aili, who are looking for a position to prove their point about the issue of domestic service.
The film starts at the countryside, where station master Viirimäki is spending his summer holiday. He has gotten into the holiday mood to the extent that he wakes up from his stupor at the very moment he should already be getting back to work. Unfortunately the last ship from the island where he has been vacationing has already sailed, but as luck would have it, local residents Himanen and Kehkonen promise to help him out. Things turn out differently, however, and the attempt to help starts out an adventure filled with misunderstandings and plot twists.
“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.
In northern Finland in the fall of 1916, Saima Niva rescues a man drifting in the river, who turns out to be a German lieutenant Braun. Braun and his six comrades have managed to escape the prisoner of war at the Muurmann railway station, but the lieutenant has had to get rid of the lost group. While Braun is recovering, under the good care of Saima, Niva's neighbor and henchman of the gendarmes, the greedy policeman Simpura, gets a tip about the refugees camped in the desert.
Young married couple, Martti and Ulla, are spending a carefree weekend at their Rauhanlehto villa. Their peace is disrupted when the in-laws and Ulla's sister Alli, come to visit.
The director's daughter, Raila Tuulo, is the only one who has seen the burglar terrorizing the city, the mysterious "Blue Overalls," and recognizes him as Joel Ormak. Under Raila's influence, Joel gives up his wild lifestyle and his former love interest, the vampish Iris Vild. But a murder takes place at a nightclub, and the victim's last words are Joel's name. Approximately 16 minutes of footage and excerpts from the film have been preserved.
A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.
A widow with three children hires a handyman to fix her house during a major storm. When not doing home repairs, he shares his philosophy of believing in the power of the universe to deliver what we want.
Trying to put her life back together after the death of her husband, Libby and her children move to her estranged Aunt's goat farm in central Texas.
In the 1930s, British officer John Truscott journeys to a remote village in colonial Malaysia to educate and Westernize the local Iban population. There, he's introduced to the lovely Selima. In keeping with tradition, Selima is assigned to sleep with Truscott and teach him the native language and customs. But when they fall in love, both colonists and natives object to their plans to marry.