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An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.
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The patriarch of a wealthy and powerful family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel and destroy their lives.
In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
Biographer Margaret Lea travels to the isolated rural mansion of the famous writer Vida Winter, who asks her to write her biography. Although initially she is reluctant, as Vida is known for constantly distorting the facts of her life, Margaret soon becomes fascinated with the story of a dark childhood, a disturbing tale that leads her to finally confront the traumas of her own past.
Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide structure. Comfort or passion? Carlo can't really decide until it's too late.
Richard Jewell thinks quick, works fast, and saves hundreds, perhaps thousands, of lives after a domestic terrorist plants several pipe bombs and they explode during a concert, only to be falsely suspected of the crime by sloppy FBI work and sensational media coverage.
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