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Lacerate blends elements of realism with a dreamlike, symbolic dimension, portraying the extreme decision of a woman who turns from victim into executioner. In a series of mises-en-scène shot only in natural light, we see a domestic setting overrun by a pack of dogs that roam around restlessly, attacking objects and furniture. The interior of this home is a mental space, violated and lacerated like a body that has undergone violence. Fruit, game, and remnants of food are arranged like still lifes, with allegorical elements evoking the precariousness of life and the loss of innocence.
Twelve international filmmakers create connections between humans and animals, through biodiversity, ecosystem, climate change, environment and water risks.
Stray dogs are locked up at a neglected, post-apocalyptic location: actual fall out shelter created during World War 2 to protect humanity in case of a nuclear war. This film is replete with contradictions: beastly versus human perspective, perpetrator versus victim, subjugation versus power and cruelty versus empathy.
A car approaches and finds the remnants of an accident with an animal transportation vehicle.
A group of chickens get played a requiem as they await their final moment in the coup.
A dog waits in a car. The windows fog up and we hear the creature panting and whining softly – his impatience and restlessness are contagious. The dog is entirely at the mercy of people in escaping from this predicament. Janis Rafa connects this image with early Soviet space flights in which dogs were sent into space as part of experiments. Waiting for the Time to Pass is a new work, made during the corona pandemic, and the association with the limited freedom of movement and uncertainty about the lockdown is clear. In her earlier work, Rafa often commented subtly on the ecological disaster caused by anthropocentrism.
Set inside an industrial refrigeration facility, «Baby I’m Yours, Forever» explores intimacy, vulnerability and the relationship between human and non-human bodies through film, sound and installation.
The violent action of a vehicle that, for ten interminable seconds, shakes an almond tree vigorously, causing its leaves to fall prematurely. Using a high-speed video camera shooting at 2000 frames per second, Rafa creates a glaring, melancholy metaphor that evokes a multiplicity of themes: from the unconditional exploitation of the environment by the human race, to the fragility of the equilibrium that we think we are establishing between nature and technology, all the way to the ineluctable transience of all forms of existence.
With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.
An unexpected event comes to disturb the seemingly calm life of a strong society. The tracks of a school bus are suddenly lost, one morning. Inside the bus are nine elementary school students, children of wealthy and powerful families, along with the driver and an attendant. Police investigations are moving in uncharted waters and everything shows that it has to do with a group abduction, but a young journalist unexpectedly finds himself at the center of events. An entire society is being shaken. A puzzle of suspects is formed, secret passions and intrigues are revealed. The masks fall and the hidden lives of the protagonists come to light. Faced with a nightmarish reality, the heroes are forced to face their own demons. Will they manage to cross the "Silent Road" to reach the truth, atonement and finally redemption?