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Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.
An ill tailor is trying to finish a coat for a wealthy man. He is hindered by his cat and helped by some grateful mice.
Dame Janet Baker, in one of her greatest roles, leads a cast of some of Britain’s finest interpeters of baroque opera and their performance under the baton of Sir Charles Mackerras is one of the highest musical excellence. John Copley’s acclaimed English National Opera production was restaged in studio, skilfully using all the technical advantages offered, to create this top quality recording. The opera was first performed in 1724 at the Haymarket Theatre in London using castrati singers in the heroes’ roles. This production follows modern practice in using women in these parts. Dame Janet’s virtuoso role as Julius Caesar has been heralded as a masterful recreation of the music which Handel wrote for the finest singers of his time.
One Christmas, a knight garbed all in green appears in King Arthur's Court and challenges any knight to hew off his head on the proviso that he be allowed to return the axe stroke afterwards. All of King Arthur's other knights being frightened, Sir Gawain takes up the challenge and hacks off the green knight's head. The green knight then gives Gawain a year to find his home and live a little before the cut is returned.
Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.
Terry is leaving school with few prospects in his native Liverpool. His father finds him a job in a local warehouse but Terry has other ideas. Living in a dream world promulgated by a radio DJ to whom he listens constantly. Terry is convinced there is something better and he makes an angry escape bid.
In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Performed by the D'Oyly Carte Opera Company during the 1992 Anniversary Tour at the Buxton Opera House.
The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.
Live from La Scala Sunday 03 February 1991
Live from La Scala Friday 22 December 1989