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In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.
A young Israeli man absconds to Paris to flee his nationality, aided by his trusty Franco-Israeli dictionary.
Y., a wedding photographer, marries one bride, kills another and returns home.
On a desert road, a couple makes love in front of a monument where, a year earlier, four Palestinian workers had kidnapped their Israeli boss in a protest against the injustices of the Israeli occupation.
A teacher discovers in a five year-old child a prodigious gift for poetry. Amazed and inspired by this young boy, she decides to protect his talent in spite of everyone.
A member of an Israeli anti-terrorist unit clashes with a group of young radicals.
In an anxious and isolated world, paralyzed by the fear of the pandemic, one woman is determined to get a kiss -- lips touching lips -- from the Star of her dreams.
In Tel Aviv, Yoav receives a visit from Delphine, the girlfriend of Emile, his boyfriend from Paris. Their day together in the city confronts their mutual expectations in the face of a complex Israeli society.
Love Letters to Cinema is a collection of ten "letters” in the form of short films (4 minutes each), written and directed by ten outstanding Israeli directors. The films and the directors conduct a dialogue, whereas the directors create a short film with their unique voice, bringing to the audience a group of work that reflects on cinema.
The 40-year-old director Yoav was asked by the editor of “Cahiers du Cinéma” to write about the potency of a specific cinematographic image. Yoav recalls his first encounter with Pasolini’s Teorema, back when he was still a soldier in the Israeli army. Nadav Lapid has created an alter ego director. In just a few scenes, Lapid condenses the moments that have ultimately altered the director’s life. Lama? is an extremely personal film that tangibly illuminates the vast potential inherent in cinema.