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Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
Interview with the Swedish artist John E. Franzén.
By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.
Ten-year-old Asko feels alone after his parents' divorce. He finds security with his grandmother, who lives in Åland. They can talk about everything and Asko loves their fantasy trips on the ship Sagolika. One day, his mother meets a new man, who she hopes will be a great new father for Asko.
A film about the painter Carl Fredrik Hill and his mental health issues.
A documentary about Victoria, queen of Sweden, and her relationship with her doctor, Axel Munthe.
The Old Town of Stockholm has been threatened many times. The worst was when, in 1959, a large motorway was pulled through the heart of the city, a sword cut that split the Old Town in two. The Riddarholm church, where the Swedish regents are buried, is trapped by the traffic that roars forward a few meters away. Who in France would come up with the idea of building a motorway next to Nôtre Dame?
A Swedish documentary about Vällingby.
The life of the swedish writer Moa Martinson: at the age of 18, Moa marries the stone worker Karl and has five children. The marriage becomes stormy and fringed with tragedies. In the adversities, Moa begins to write about her life. She tells unpleasant truths, and doesn't get much understanding. Her life changes when the books are published in ever larger editions. She can tear herself out of her poverty, but never abandons her origins. In 1929 she remarries the writer Harry Martinson.