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Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.
An Eros drama about the shocking sexual experiences of ordinary women, based on a live-action version of the popular section of “Weekly Asahi Geino”. Starring Hitoe Otake, who created an era in the 1990s. The bonus footage includes “Kokuhaku-noteki, a resume that can’t be told to anyone” starring Kaori Asada.
A woman calling herself Princess Oryu enters the woman's prison. She is Kasumi, the daughter of the famous magistrate, Ooka Echizen, who slowly after hearing each of the prisoner's stories begins to realize the mystery that lies behind what it could be a big conspiracy.
Yumi, a writer of a science magazine, witnesses a mysterious death of a high school girl who received a "one missed call" from her own cell phone, two weeks in the future. The disturbing message on the cell phone turns out to be the screams of the victim.
Ame is in Junior high and lives with her father, who is a butterfly collector in search of the Troides Magellunus. One fateful day, he decided to take a trip to Taiwan in hopes of catching the elusive specimen. Unfortunately, something goes wrong…. and Ame is left with only memories of Father… Memories that seem to have allowed him to return… as a spirit guide for Ame.
Nami Matsushima, a former doctor, is put in prison for murdering one of the men who raped and killed her sister. Now, faced with violent and lecherous prison gangs, an aggressively amorous warden, and with a friend on death row, Nami must steel herself for a ten year stay in one of Japan's toughest women's prisons.
The second installment of actress Minako Ogawa's debut trilogy production. A series of murders targeting female high school students occurs around Osawa, a man obsessed with dolls, and his lover. Suspicion falls on Osawa, but...
Nami Matsushima has escaped from the prison to which she was sentenced in Scorpion, but is now obsessed with tracking down the--don't laugh--one-armed man who murdered her younger sister fifteen years ago. Nami is certainly no great action heroine, and the plot at times makes little sense, climaxing with a coincidence more ridiculous than any Shakespeare ever used. For complicated reasons, Nami uses her medical knowledge to break into a women's prison as staff physician. There, as in the previous movie, the convicts wind up naked awfully frequently.
Midori is a university student that finds part-time work at a hostess club, near the end of Japan's "Bubble Economy," in the late 80s. She agrees to become the mistress of one of the wealthy young patrons for two million yen a month, but then the bubble bursts...
Based on the comic book series of the same name by Masahide Motohashi.